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Doris Troy (album)
''Doris Troy'' is an album released in 1970 on the Beatles' Apple Records label by American soul singer Doris Troy. It features songs written by Troy and a number of the participants on the sessions, including George Harrison, Stephen Stills, Klaus Voormann and Ringo Starr. Through the extended period of recording, the album became an all-star collaborative effort, typical of many Apple projects during 1968–70, although it was Troy's only album on the Beatles' label. Other guest musicians included Billy Preston, Peter Frampton, Leon Russell, Eric Clapton and members of the Delaney & Bonnie Friends band. Like the Harrison-produced single "Ain't That Cute", ''Doris Troy'' failed to chart in Britain or America on release.
The album was reissued in 1992 and 2010 with bonus tracks such as Troy's version of the Beatles' hit song "Get Back".
==Background==
After having a one-off international hit with her song "Just One Look" in 1963, Doris Troy increasingly looked to Britain for continued success as a solo artist.〔 Her brand of soul music was revered there throughout the 1960s〔Dave Godin, "Doris Troy: Dave Godin Meets Mother Soul", ''Blues & Soul'', 27 February 1970; available at (Rock's Backpages ) (''subscription required''; retrieved 7 November 2012).〕 and had produced hits for bands such as the Hollies and the Small Faces.〔〔Richie Unterberger, ("Doris Troy" ), AllMusic (retrieved 8 November 2012).〕 Troy settled in London in 1969〔David Nathan, "Doris Troy: Stretchin' Out and Gettin' Ahead", ''Blues & Soul'', April 1974; available at (Rock's Backpages ) (''subscription required''; retrieved 7 November 2012).〕 and became a sought-after vocal arranger,〔 most notably contributing the gospel-inflected chorus to the Rolling Stones' song "You Can't Always Get What You Want".〔Leng, p. 60.〕〔("Doris Troy" ), Apple Records (retrieved 3 November 2012).〕 In the early summer of 1969, at the invitation of singer Madeline Bell, Troy attended the overdub sessions for Billy Preston's first album on Apple Records, ''That's the Way God Planned It''.〔〔 On meeting Preston's producer, George Harrison, Troy was surprised to learn that he was a fan of her work,〔 and following the sessions, Harrison offered her a recording contract with Apple.〔〔Leng, pp. 60–61.〕
Having experienced fleeting success on Atlantic Records in America, Troy was more demanding than new label-mates such as Preston,〔O'Dell, p. 125.〕 and she in fact signed three contracts with Apple: as an artist, a songwriter, and a producer.〔〔Leng, p. 61.〕 She was given her own office at Apple's headquarters, with a piano installed〔 – a provision that encouraged songwriting collaborations with Beatles Harrison and Ringo Starr, and with other visitors to the band's premises at 3 Savile Row.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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